We're left wondering if he was going to replace him, as that was no doubt his intention all along. Kurtz knew that his soul was dead, and that he needed someone to replace him. Throughout the movie, we see Willard refer to the river that leads to Kurtz as a power cable that plugs right into him, and the chaos and murder that they pass on the journey is a direct result of him.
Seeing the meaningless carnage, all of it, warps Willard and by the time they reach the compound, it's only a matter of time before we see it change. The horror, as Kurtz repeats in his death, is that it never ends. Willard sails away, silently, and we know that the Vietnam War would continue to wreak havoc and cause countless suffering. We know now that war still exists, and that the reason it exists is because the darkness within our own being is never-ending.
In that final moment, Kurtz - who talked about ending the Vietnam War by using moral terror, and argued for using brutal tactics in order to win - realises that it will never end, even if Willard replaces him or not. Kurtz ends his letter with an expression of his hatred of lies: "As for the charges against me, I am unconcerned; I am above their timid, lying morality and so I am beyond caring.
Kurtz remarks, "We train young men to drop fire on people but will not allow them to write 'fuck' on their airplanes, because it's 'obscene. Both men detest the lies of their superiors: Recall Kurtz's remark to the Manager when he arrives at the Inner Station to "rescue" him: "Save me!
Don't tell me. Save me! Kurtz's letter: Both the Company and Army want to pretend that their "Kurtzes" are insane rather than admit the truth, which is that both men see their respective organizations for what they truly are.
When Willard meets Kurtz in the last part of the film, Coppola stresses Kurtz's power — but also the weariness that this power has created in Kurtz. Willard is taken prisoner and kept in a cage; on a rainy night, Willard is awakened by Kurtz, who drops the head of one of Willard's crew in his lap, as if to say, "This is what I am capable of doing on a whim.
Like Kurtz in Heart of Darkness , Col. Coppola cloaks Kurtz in shadows for all of his scenes. This shadowy portrayal adds to the surreal quality of the film and the character. The poetry of T. All of this combines to create a character that is out-of-bounds mentally, spiritually, and physically.
He has faced, and egged on, his demons, and they have won. He can go now, and Willard is his way out. SparkTeach Teacher's Handbook. He believes he cannot die, but he wants to die. Yet, on the edge of the void, his soul shows for a few moments the signs of a typically human terror that, even if immediately repressed by self-control, wants to show us Kurtz the man, at least for a moment.
He must allow Horror to survive after him, he must die in Horror because Horror has now become his Law, his Mission. He knows he has lost his way, he can feel it, his soul is powerless and dominated by Horror, yet his mind would like to move forward, proceeding in the mission he received. Kurtz leaves the Horror of the world without a filter and, like a cursed demiurge, paints the terrifying picture for himself.
Moral duty has nothing to do with the death of the Colonel. He is a mad Socrates who drinks the hemlock in the name of the universal Law of Horror.
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