Arnold R. Brody and David Eliot Brody. The Plenitude. The Acrylic Painter. James Van Patten. Drawing Expressive Portraits. Paul Leveille. Dames, Dolls and Delinquents. Gary Lovisi. Norman Foster. David Jenkins. Fifth Honeymoon. Torbjorn Rodland.
Fred Sandback. Emily Wei Rales. Made-Up Minds. Gary L. Painting Acrylic Landscapes the Easy Way. Terry Harrison. The Psychology of Baseball. Mike Stadler. The Digital Environment. Pablo J. Boczkowski and Eugenia Mitchelstein. Grassland Grouse and Their Conservation. Paul A. Chinese Brush Painting.
Screened Out. Jean Baudrillard. Collecting With Kids. Pamela Y. Knowledge Management in Theory and Practice, third edition. Kimiz Dalkir. Theodore Michael Dracos. Rosa Luxemburg. One Ball of Yarn. Capital and Affects. Christian Marazzi. Lynch looks at connections between human values and the physical forms of cities, sets requirements for a normative theory of city form, reviews earlier physical images of what utopian communities might be, sees what is to be learned from hellish images, and helps us place city forms into one or another of three theoretic constructs: cosmic or ceremonial centers, the machine city, and the city as an organism.
He tells us at some length how we might evaluate the 'goodness' of cities, speaks to the enduring issues of city size, growth, and conservation, and, having done all this, tells us about what his good city form might look like.
The appendixes are a major part of the book, taking well over pages This is a volume that in short order will be or at least should be standard, desired, provocative, influential reading for just about anyone concerned with why cities are the way they are and, more important, with achieving good places for people to live.
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